Showing posts with label comics. Show all posts
Showing posts with label comics. Show all posts

Saturday, August 31, 2019

Reading Log: Playing Catchup


The last few years have gone by much more quickly than I'd expected. I never stopped intending to write "Reading Log" entries for each book I finished, although I was developing a backlog even when I was blogging regularly. I've kept adding books to a shelf reserved for future articles. That shelf is overflowing. When I look at it, I honestly don't remember ever having opened some of them. The article below will be based on my memories and impressions of the books, and may contain wild inaccuracies at this point, especially as my brain exaggerates things I really liked or hated.

This is a meagre attempt at briefly acknowledging some of these books, largely so I can get rid of them and reclaim the shelf space. My original plan had been to go much deeper into each one.

Keep that in mind as this gets long. I wanted it to be even worse.



Anna Karenin by Tolstoy - this was part of my push to read some of the "classics" of literature. It was a slog. So many pages of rambling about farming techniques and the boring lives of the idle rich (who are nonetheless plagued by money problems - cutting back on the "idle" part would probably help with that).

My memories of Anna herself are that she's a horrible character. Completely selfish and irresponsible. The second-most contemptible female protagonist I can remember ever reading about. (First place will show up shortly.)

Finally, from the back cover of my Penguin Classics edition:

"In this tragedy of a fashionable woman who abandons husband, son, and social position for a passionate liaison which finally drives her to suicide..."

Dude, spoilers!

Nice use of the serial comma, though. All is forgiven.



Suicide Squad: Trial By Fire v1 by John Ostrander, Luke McDonnell, et. al. - I started reading comics when I was a toddler. For many years, all my favourite comics and characters were from Marvel. I had a massive Spider-Man collection, and lengthy runs of many of Marvel's other titles. Although I was well aware of DC and had a few hundred scattered issues of their books (compared to several thousand Marvels), I only really followed Teen Titans and special events like Crisis on Infinite Earths.

Suicide Squad hit the stands not long after I hit adolescence, just as I was outgrowing straightforward stories of good versus evil and was ready for some moral gray areas. Things don't get much grayer than Suicide Squad. It immediately became my favourite comic, a position it held until Hitman - another book with a thoroughly non-heroic protagonist - came along a decade or so later. Hitman and Suicide Squad were also two of the very few titles I kept when I sold the vast majority of my collection.

This is a compilation of the first few issues of the 1980s incarnation of the Squad, plus a few bonus features. It's a fine collection, and one I was surprised and disappointed to find on clearance at a comic shop. Too bad its cover reprints the cover from the second issue, not Howard Chaykin's striking art from the premiere.

Overall the comic holds up well, and is far better than the movie. Although the movie shares a basic premise and some story beats from Ostrander's original series (including Slipknot's attempted escape at Boomerang's urging, with the same explosive result), it was far inferior. The inclusion of Harley Quinn and the character assassination of Amanda Waller were mistakes. In the comics, although Waller will ruthlessly sacrifice her field agents for the sake of the mission, she's deeply loyal to and protective of the Squad's support staff. In the movie she personally slaughters a bunch of her own office staff for no good reason.



The Chrysanthemums and Other Stories by John Steinbeck - this is a tiny book. 58 pages, about three by four inches. I noticed it for a couple of bucks when I was browsing ABE.com, so I ordered it because it was a Steinbeck book I didn't have. My interest in Steinbeck resurged somewhere in the last few years, and I resumed gradual pursuit of my old goal of reading his entire output. At least the fiction. I'm not sure I'm interested in reading the travelogues.

In addition to the title story, this pocket-size edition contains Flight and The Murder. All three demonstrate Steinbeck's penchant for never giving anybody a happy ending. And although I'm far from "woke", as only mindless drones say unironically, even I found the gender politics of The Murder problematic. A quick Googling told me I'm far from alone.

I found a few oddball little collections like this over the years, short stories in varying combinations, often overlapping but usually containing a story or two I hadn't read yet. Then it occurred to me to check into the publication history, and I learned that all the stories were from The Long Valley, so I stopped accumulating samplers and bought that instead.



Not Dead Yet by Phil Collins - this is a terrific memoir. Funny, informative, and insightful. Phil exposes a lot of his own faults and failings, and comes off as immensely likeable.

Some of the anecdotes are gold. I especially liked the story of his being cut from George Harrison's All Things Must Pass album and later being teased  - and pranked - about it by Harrison himself.

Musically, my favourite member of Genesis is Tony Banks, the group's keyboard player and for many years primary composer. Tony doesn't come off as well in this book. Although it's clear that Phil likes and respects Tony, he doesn't gild that Tony can be abrasive and hard to work with. Mike Rutherford's memoir said the same, perhaps even more bluntly. (I read that one too, but don't own a copy, so it isn't on the shelf for me to discuss any further.)

My ownership of this book has a funny history. I don't think I even knew it existed when I stumbled upon cheap copies on ABE.com (where a lot of my books come from these days). I bought it, read it, enjoyed it very much, and gave it to a friend who I thought would appreciate it. Then a few months later I was given a brand new copy as a Christmas gift. I was glad to get it, because I was hesitant to part with the first one.



Beyond Freedom and Dignity by B.F. Skinner - I have no memory of reading this book. It's got one of my stickers inside the front cover, with my name, when and where I bought it, and how much I paid for it, and it's been highlighted, as is my wont when reading non-fiction (and sometimes even fiction). But when I picked it up from the stack to write this entry, I didn't remember ever having seen it before. That's going to happen a lot here.

I remember B.F. Skinner, certainly. I remember reading Walden Two (which may be further down the pile), and I remember writing a paper on him on the way to getting my psychology degree. I remember that some of his conditioning principles are quite interesting and useful for educational purposes, but potentially totalitarian if applied too broadly.

From a quick skim through the passages I highlighted and the first line on the back cover ("We can no longer afford freedom, says B.F. Skinner"), it's plain that we're crossing into totalitarianism here. Funny how so many people see nothing wrong with removing all sorts of essential freedoms from others - as long as they're the ones who get to decide who's restricted and how. Just as apocalypse stories are popular because everybody imagines themselves as one of the survivors, fascism fantasies always involve being one of the (very few) rulers, not one of the (very many) subjects. Skinner was just another wannabe tyrant.

Long ago one of my friends dismissively summarized libertarianism as, "Do whatever you want as long as you don't hurt me." I corrected him by saying that it's closer to, "Do whatever you want as long as you don't hurt anybody." This is why libertarians should, and often do, oppose abortion as a violation of the non-aggression principle. For Skinner, and other elitists who think their principles should be imposed on others, the non-aggression principle gets tossed out the window before the car leaves the driveway.



Super Freakonomics by Levitt & Dubner - the original Freakonomics caused a stir by suggesting that normalizing elective abortion reduces crime rates down the road, because many of those abortion victims would have grown up in circumstances that correlate highly with criminal activity. Levitt & Dubner went out of their way to insist that they weren't endorsing this, they were just observing the logical connection. There may be a technically valid point there, but it's still repugnant. It amounts to preemptive, speculative capital punishment. It's almost unbelievable that we now need to explain to some that it's wrong to kill people because of what they *might* do in the future, but here we are.

As for this sequel, once again I have no memory of having read it. That's not a good sign. I love books about unintuitive connections and surprising phenomena. Whenever I read something by Malcolm Gladwell or Nassim Nicholas Taleb, I bore the people around me with, "Hey, did you know...?" stories for a while afterward. Even skimming the back cover and table of contents for this one brings back nothing. That's a pretty good indication that there was nothing interesting there when I actually read it.



That Hideous Strength by C.S. Lewis - as with Steinbeck, my goal of reading all of Lewis's works plods along glacially. And again like Steinbeck, I make an exception: I have no interest in reading Lewis's early poetry, partly because he wrote it before becoming a Christian, and therefore before becoming relevant, but mostly because, well, it's poetry. Pass.

This book, Out of the Silent Planet, and Perelandra (amusingly referred to on the back cover of this book by the apparent alternate title "Voyage to Venus") together comprise Lewis's "science fiction trilogy." I usually dislike the entire sci-fi genre. I've never seen a single Star Trek episode or Matrix movie, and although I've watched Blade Runner repeatedly in hopes of catching a glimpse of what others enjoy about it, it just gets worse every time. However, I liked Lewis's trilogy. That may be partly because it's a playful, innocent form of science fiction. One of the books hinges on an interplanetary journey taken in a spaceship constructed in an English backyard garden, presumably using household tools and materials. It's like reading about the Backyardigans or Muppet Babies taking a voyage to the stars, and is clearly not meant to be taken seriously or analysed as to scientific plausibility. For these books, the allegories and spiritual messages are the point. And on that level, Lewis succeeds entirely.

I actually listened to the entire trilogy as audiobooks, and enjoyed them very much. I read along with That Hideous Strength as I listened, and noted passages in the audio that weren't in my printed copy. There's a preface by Lewis in which he acknowledges the abridgement "to a length suitable for this edition." I may continue to watch for an unabridged copy, if such a thing is readily available.

The entire trilogy blurs together now. I couldn't tell you now which story elements were in which book. I enjoyed it all, though, and appreciated the Christian themes throughout. There's a planet of unfallen inhabitants who are corrupted by a visit from Earthlings; the humans become the Serpent from Genesis, tempting the pristine creatures into sin. And one section was particularly creepy, with a cosmonaut trapped in a spaceship with a demon-possessed colleague who just kept staring at him and calmly repeating his name, over and over, until it nearly drove him to madness.



We The Living by Ayn Rand - and here we have that worst female protagonist mentioned earlier.

Ayn Rand is a complex figure. She had some good philosophical ideas, mostly around individualism, personal responsibility, and the immorality of socialism. This leads to many conservatives, especially young ones, admiring and referring to her. However, when you dig deeper -and it doesn't take far - you quickly see that Rand elevates individualism to selfishness and personal responsibility to condemnation of altruism. Her responsibly self-reliant citizen quickly becomes a sociopath. The conservative, especially the Christian conservative, soon has to part ways with most of her principles.

Rand herself was a thoroughly unpleasant person. In an appearance on Donahue she was cranky and unreasonable, insisting that anyone who questioned her was being rude and didn't deserve a response. This is an early prototype of the modern leftist tactic of accusing sane people of whatever bigotry or other heresy they can think of and urging that dissidents be silenced  ("deplatformed"). Her personal life was no better. She may have had the germ of some good ideas (I still have hopes for Atlas Shrugged, which is in both my to-read pile and to-watch folder of movies on a hard drive), but she should not be seen as any sort of role model.

On to the book. If Anna Karenin was a five out of ten on the selfish-and-irresponsible scale, Kira, the protagonist of We The Living, is a solid ten. She's utterly amorally pragmatic, with no concerns past what benefits her. The costs to those around her, those who for some reason care about her, don't matter, and "right" and "wrong" aren't relevant categories in her mind.

Kira is more than willing to use sex as a tool to manipulate the men unfortunate enough to cross paths with her, freely getting naked and swapping fluids at will. I'm pretty sure there's a word (maybe more than one) for women who barter access to their bodies for personal gain. Even stranger is that despite the frequency of her liaisons, I never had a sense that Kira took any pleasure or gratification in sex. It was just mechanical. She seems almost personally asexual but willing to broker her anatomy with all the passion of a salesman spreading open the pages of an encyclopedia for display to a prospective customer.

So, Rand wrote a book with an awful protagonist. Doesn't mean anything about her as a person, right? We don't think Vince Gilligan is a monster because he created Walter White.

Hey, what's this quote from Rand on the back cover?
"..it is as near to an autobiography as I will ever write....The specific events of Kira's life were not mine; her ideas, her convictions, her values, were and are."
Welp, I guess we're done with this one.



Thy Kingdom Comics by Adam 4d - I'm a big fan of Adam 4d's work. He's a contemporary C.S. Lewis. He's not saying anything revolutionary or new, but he's teaching Christian truths clearly, with humour, and accessibly enough to reach a broad audience.

Adam's comics are freely available online at https://adam4d.com/. I bought the book for the same reason I buy most of the books, movies, and music that I bother with these days: because I wanted to financially support his work. I bought extra copies to give away.

Fun side note: for a long time I thought he was just using a nickname, and when I told people about his work (which happened frequently), I pronounced his name as though he were a Star Wars robot: "Adam Four-Dee." Turns out his name is "Adam Ford."



Magical Mystery Tours: My Life with the Beatles by Tony Bramwell (with Rosemary Kingsland) - Tony Bramwell worked for the Beatles in varying capacities from the group's earliest days to the end, then went to on a long career behind the scenesd in the music industry. I assume this book holds to the rule of "with" authorship - Kingsland probably interviewed Bramwell, took notes as he recounted anecdotes, then went off and wrote the book with his direct involvement being minimal at most.

I wasted way too much of my life on the Beatles. One task yet remains, as I assemble and catalogue my collection of Beatles music, books, and memorabilia in preparation for liquidation. As a rule I no longer buy or read Beatles-related books, but for many years I bought and pored over every such publication I could get my hands on. I picked this one up because it was very cheap (oddly, it doesn't have one of my usual stickers inside the cover recording the details of its acquisition) and, frankly, I didn't remember who the heck Tony Bramwell was, so I was hoping for some new perspectives.

I wasn't disappointed. Bramwell (/Kingsland) offers up lots of fun insider stories. Not much sensationalistic dirt - he clearly still likes the Beatles and most of his colleagues in their entourage. There's one notable and entertaining exception. Bramwell makes no secret of his dislike for Yoko Ono and includes plenty of shots at her. That makes it well worth at least a skim for any Beatle fan.



Lectures in Systematic Theology by Henry C. Thiessen - just as it says on the tin. This book contains a thorough and rigourous systematic theology, covering the relevant topics in depth but in a style that's comprehensible to the layman. I can easily imagine using this book as a reference when leading studies on a wide variety of topics. The Scripture index at the back, listing every reference to any given Bible verse in the book's text, is especially useful.



Bone Volume One: Out from Boneville by Jeff Smith - this is a modern classic of the comic genre. My copy is a 2004 Scholastic printing, in colour. I think I bought this for my son to read when he was very young.

An earlier edition of this book gave me a great story from my days running a comic shop. For that alone it will always hold a special place in my heart.



Collected Works of Oscar Wilde, published in 1997 by Wordsworth Editions Limited - another artifact of my vague goal of reading the loosely-defined canon of western literature. Wilde is too prominent a name to ignore. The first oddity about this book is a typesetting error that runs throughout its 954 pages: somewhere in the process the apostrophe character was lost and replaced with spaces. "Can't" becomes "can t", "Dorian's" becomes "Dorian s." It's inexcusable for a publisher to have allowed this distracting, annoying error to reach shelves.

Wilde's writing is generally quite entertaining even now, over a century later. Almost every page contains a one-liner or two that's funny or insightful. I read this book with highlighter in hand, and found no shortage of targets.

Despite his own well-established hedonism, Wilde's writing often reflects the widely Christian culture of his day. It's taken for granted in the social backdrop in a way that would be foreign to most modern readers. However, Wilde goes horribly off the rails when he tries to write about Jesus directly. It immediately becomes obvious that although Wilde knows a little bit about Jesus, he does not know Him personally. The most egregious example is in the essay The Soul of Man Under Socialism:

 "And the message of Christ to man was simply 'Be thyself.' That is the secret of Christ."

No. A thousand times, no. Jesus did not come to Earth, be born of a virgin, suffer, die, and rise again to tell us to "be ourselves" (whatever that even means). He did it so that we can accept His sacrifice, embrace His salvation, and be forgiven of our sin so that we can spend eternity in His kingdom. Wilde's is a disastrously wrong belief that can lead nowhere except Hell.

Nothing else Wilde wrote could possibly matter in the slightest if he left this life with such a heretical view of Christ. I hope he repented before then.



Holy Lands: One Place, Three Faiths from Life books, no credited author(s) - another one I barely remember. This was published in 2002 by a western journalism company, so I would expect it to be an apologetic for Islam. A new skim appears to support that expectation. An article on the Koran ends with:
"As with the Old Testament, there is violence, sometimes meted out in Allah's name, but the Koran more often urges mercy and compassion."
The dangling participle, demonstrative of the writing skill I expect from "professional journalists," leaves it unclear whether the Koran contains more exhortations to mercy and compassion than does the Old Testament, or the Koran encourages mercy and compassion more than it encourages violence. Either way I doubt the claim.

The introductory paragraph on Christianity demonstrates a view of that faith that is so incomplete as to be laughable. Presented sentence by sentence with commentary interspersed:
"In Israel, 2,000 years ago, a child was born to a Jewish couple."
First of all, what is that first comma doing there? More importantly, Jesus was not born to a "Jewish couple" unless they consider God Jewish. He was borh to a Jewish mother and into a Jewish home, but this sentence subtly asserts that Joseph was His biological father and the virgin birth is a myth.
"Jesus grew to be a charismatic preacher, gathering disciples as he went."
[SIC] throughout because of not capitalizing pronouns referring to Jesus, but that's admittedly a stylistic decision. Other than that, this sentence is unobjectionable, if a little minimizing.

"This Son of God performed miracles, they said: raising the dead, calming these waters of Galilee."

"They said" is subtle but pernicious, encouraging the reader to reject these claims.
"Jerusalem's authorities, perceiving a threat, had Jesus executed."
Fine.
"His followers, taking up the cross, built the world's largest religion in his name."
That's it. Not a word about the Resurrection. Not a word about sin, repentance, or salvation. Not one iota of what Paul considered of primary importance (I Corinthians 15:1-5). This is Christianity as mere philosophy, which is no Christianity at all.

I'm sure Islam is given just as skeptical an introduction, though. Let's take a look:
"More than 1,300 years ago, a man in Mecca was visited by the archangel Gabriel and received an extraordinary gift: the word from Allah, the one God."
Stated as fact, no qualification.

Welp, I guess we're done with this one.



Bizarre Phenomena - Reader's Digest books, no credited author(s) - a worthless compilation of pseudoscience and urban legends. If you're looking for a book that suggests the Loch Ness Monster just might be in there somewhere, based on long-discredited photos, this is for you. Dishearteningly, my local library has a copy of this on the shelf. In the Science section.



Being Born and Growing Older: Poems and Images Arranged by Bruce Vance - this, as the title suggests, is largely a collection of poetry, and I don't like poetry. I've owned it since the days when I would sweep up any and all books on religion (and several other topics of interest) that I found in library book sales, flea markets, or other cheap sources. In a mental Freudian slip I misread the title as "Being Born Again and Growing Older" and assumed it was about aging as a Christian. Nope.



Enough rambling. Here's a picture of the bookshelf that housed all of these. And still a bunch more.




Wednesday, December 21, 2011

10 Short Thoughts Not About Glenn Gould

I just read the Maclean's year-end "Newsmakers 2011" issue. It contains a series of articles about the supposedly most newsworthy people and events of the year. With this issue, we hit a new journalistic low.

It's a given that a few people on these annual "most intriguing", "most interesting", etc., lists will be women who are there solely because of who they slept with. However, this issue features Pippa Middleton - who is on the list not even because of who she slept with, but because of who her sister slept with.

At least her sister finally got a promotion this year, after eight years of casual / temporary status as the Royal Penis-Warmer. Pippa's most newsworthy activity appears to have been showing up at the wedding.

To be clear, this is not meant as personal criticism of Miss Middleton. She may be a very intelligent and capable person. She may be very accomplished in the field of whatever it is that she does. However, none of that makes her particularly newsworthy.

No, this is meant to mock the media, and by extension its audience - that's us, folks - for being overly concerned with her. She isn't the problem, the people giving her undue attention are the problem. There's no discernible reason for anyone to be talking about her in "news" articles or magazine profiles.

Or in blog posts, for that matter.


Whoops.



Although I accept that there is truly nothing new under the sun, I sometimes strive for some semblance of originality. A while back I scrapped a drafted article / joke because I had expected "penis-warmer" to be a something of a rare term, but Google told me otherwise. I was surprised, especially by how many of the results were product listings on eBay (with optional what cozy?!?).

That said, I have high hopes for the revised term used above, "Royal Penis-Warmer". As I write this, there are no Google hits for that phrase.

Soon there will be one.



The Walking Dead (the comic, not the TV show) has been disappointing me of late. I'm getting a little tired of the last page cliffhanger/shocker that completely fizzles and is completely forgotten about within the first three pages of the next issue. Kirkman's going to that well just a bit too often.



An occasional commenter here, TB, has a blog of his own now. If you think I'm cantankerous sometimes, you should buckle up, go over there, and take a look.



I'm still not writing much here lately, I know. I've been posting comments some other places, though, like the Forge forums, Comics I Don't Understand, and Slashdot. I can often be found in one of those places when I'm not doing much here.

I've also been known to show up in comment threads in places like Jim Shooter's blog, Roger Ebert's blog, Crime Justice & America, and Ken Levine's blog.

That last one is probably my favourite, because Ken Levine actually responded to one of my comments in a later post (the one I linked). In this culture, getting my (fake Internet) name mentioned by a guy who knows some famous people is better than money!



The Supercommittee failed to reach a budget deal. By most accounts, the Democrats on the committee refused to consider any proposal that included any spending cuts, and the Republicans refused to consider any tax increases. No shocker, really. But it gave us a great chance to play Mediawatch! Here's how to play:

Think about the blurbs you heard in the media about this. The headlines, the soundbites, the text crawls at the bottom of the screen, the snarky remarks from "unbiased journalists" and late-night comedians. Notice how many of them blame the stalemate entirely on the Republicans "refusing to compromise" and completely ignore the equal but opposite intransigence from the Democrat side.

Oh, sure, some of the long articles mentioned the Democrats' equal role in one of the "continued on page 26" paragraphs - we're just talking about the short versions that are all most people will perceive.

But remember, only Fox News is biased. Well, and Sun News if you're in Canada.

Here's the scary part of playing Mediawatch. Consider any newsworthy topic of which you have some deeper knowledge. Now consider how ridiculously distorted you find the media's reporting on the matter.

Now consider that most people don't have deeper knowledge of most topics, and all they know is what the media feeds them.

Now consider that that includes you. The media usually talks about subjects where you don't have any particular insight. It's statistically inevitable, just because of the sheer volume of information on the world. It's humanly impossible to know very much about very much.

And when out of one of your comfort zones - which is most of the time - you only know what they tell you, and then usually only what was in the headline, sound bite, or crawl across the bottom of the screen.



Notes for historical purposes:

We got six trick-or-treaters this year, and most of those were kids whose parents specifically drove them here because they know us.

We have no snow to speak of yet. We've had flurries, and a few times enough to cover the ground (barely), but it's all melted away again so far.

My son's current obsessions are Legend of Zelda: Skyward Sword and Roblox.



I don't like bad arguments being used in support of positions with which I agree. To that end, I wish people who oppose capital punishment - as do I - would stop saying that it has no more deterrent value than life imprisonment.

The problem with arguing about the deterrent value of capital punishment is that there's a ridiculous time lapse between a criminal being sentenced to execution and that execution being carried out. The lapse is so long that a death sentence is effectively the same thing as a life sentence.

Oba Chandler was executed recently for a crime that was committed in 1989, and of which he was convicted in 1994. 17 years after conviction, 22 years after the crime. With gaps like that, of course there's no extra deterrent value involved. Criminals know full well that execution is not a credible or imminent threat. It's too remote to be taken into consideration.

I'd be interested in seeing statistics on how many criminals die of natural causes - e.g., old age - while on death row. I wouldn't be surprised if it's more than are actually executed.



In all but completely informal conversation, and sometimes even then, I'm a stickler for terminology. This is because correct use of terminology demonstrates comprehension of the subject. Incorrect use of terminology demonstrates the lack of same.



My wife and I started watching Breaking Bad a few weeks ago, from the first episode. It's great. We have only one episode left to watch - the fourth season finale, which is the last episode to date. We'll probably watch it tonight, then commence complaining until season five begins.

I like it because it's neither formulaic nor predictable. It took me many episodes to accept that I could almost never accurately predict what would happen next. Most TV shows and movies, including my nevertheless beloved Walking Dead (the TV show, not the comic), are predictable enough that at any point I can tell you more or less how any given scene will develop and/or resolve.

Not so Breaking Bad. It's a constant stream of nothing but curve balls. The writing is so good that I'm amazed that Vince Gilligan, the series creator, worked on the X-Files. I was not a fan of the latter show, to the point where I only made it all the way through one episode (the one Stephen King wrote). I thought the X-Files was trash, frankly, nothing more than rehashes of Scooby-Doo episodes, and it was painfully obvious that the writers had no idea how to resolve any of the longer story threads. I remained aware of the X-Files because my wife liked it (she has the entire series on DVD, and still re-watches them all from time to time), and because I worked in a comic shop in the late 90s.

The acting is also first-rate. When I first started watching Breaking Bad, I thought of Bryan Cranston as Hal, the goofy dad from Malcolm in the Middle. Hal is long, long gone now. There's not a trace of him in Cranston's performance by this point. It would be odd to go back and watch Malcolm reruns now, because I'll probably think of Cranston as Walter and wonder when somebody is finally going to drive that little punk Reese out into the desert and give him the bullet he deserves.

Giancarlo Esposito deserves every bit of praise he's gotten, too. He can express more with the slightest facial twitch than most Oscar winners manage in their entire career.




Enough rambling. Here's a picture of what it takes to get me to throw out a t-shirt. The last time I wore this shirt was to a Maplenoise show in September. It was in this condition by then. Partway through the concert, my wife suggested that I put my jacket back on. The shirt is solid black with orange and red letters - all of the light colour is a pillow I stuck in it to display the extent of its decrepitude. It's a Rez shirt, from the early 90s or so. The writing is (was) a Biblical reference ("For our God is a consuming fire, Hebrews 12:29"), written in the shape of a flame.


Sunday, April 19, 2009

Out Of A Closet


My fake Internet name is Zirbert, and I... am a creationist.


Time to actually go back and follow through on something I once mentioned. Sometimes this blog makes me feel like Chris Claremont. (Nerdly reference explanation for those with lives: Chris Claremont was a longtime writer of the Uncanny X-Men and related titles, and was notorious for setting up subplots then apparently getting bored with them or forgetting about them, leaving them dangling for years, or forever.)

Back in this entry, I mentioned that I would be leading a Bible study series on a controversial topic. I'm halfway through it by this point, and it's going quite well. The group is currently taking a break from my series to do the Fireproof series, after which we'll return to finish off this series before breaking for the summer.

My series is on creationism. Specifically, young-Earth creationism. It's based on the Answers With Ken Ham video series, from the people at Answers In Genesis. Each week we watch one of the videos, then discuss.

I was happy to find that the study guide, with discussion questions, and more importantly, the answer key for those questions (or suggested answers, in the case of the more thoughtful questions) were readily available from AIG's website.

When we started out, I assumed I'd be preparing my own discussion materials. I was ready to do that, but having something precooked to work with is a lot easier. In fact, for the first week, I had already prepared my own material before finding out about the AIG resources.

Here's the handout I prepared for the first week, when I gave a little background on the topic and we watched the first video, with URLs converted to links. The handout is pretty much about the background, not the video. Answers to the blanks and commentary follow.



Being a creationist is one of the two things that upsets nonbelievers the most. (The other is pointing out that atheists have no objective basis for _______________.)

Stockwell Day was publicly ridiculed. Also consider this 2008 quote: “I need to know if she really thinks dinosaurs were here 4000 years ago. That's an important - I want to know that, I really do, because she's going to have the nuclear codes. You know, I want to know if she thinks dinosaurs were here 4000 years ago... we can't, we can't have that.” -_____________, talking about ________________________.

A comment on my blog, in response to an article that wasn't even about creationism, said: “Do us all a favor, and home-school the kid so you can convince him the Earth is 6,000 years old and dinosaur bones are a trick the Devil played to make us believe in evolution.”

Even within the Church, many people will oppose creationism (or at least “young-earth creationism”). Many others just haven't thought about it, or may not think it matters.

These videos emphasize the importance of understanding your own ________________ (the way you look at the world and interpret evidence). Everyone has biases and preconceptions, and all evidence is interpreted within some framework.
“There are 10 kinds of people in the world: those who understand binary and those who don't.”
The three best-known major creationist ministries are:

• 1. Answers in Genesis – producers of these videos, publishers of Answers magazine and the Answers Research Journal (highly technical).

• 2. Creation Ministries International – publishers of Creation magazine and the Journal of Creation (highly technical). Producers of Creation Magazine Live, a video series that can be freely streamed or downloaded from their website.

• 3. Kent Hovind – excellent debater. Many books and videos produced, with explicit permission to copy freely.

(After watching the video) - Ken Ham talked about a person who told him that they're open to all points of view - except a point of view that says others are wrong. This is called ___________________. It's one of the most common worldviews / philosophies of life in the world today. It's also illogical and self-refuting.


Key Verses:

Genesis 1:1 (KJV): In the beginning God created the heaven and the earth.

Psalm 11:3 (KJV): If the foundations be destroyed, what can the righteous do?

John 3:12 (NIV): I have spoken to you of earthly things and you do not believe; how then will you believe if I speak of heavenly things?




The words to fill in the blanks are, in order: morality, Matt Damon, Sarah Palin, worldview, relativism.

This handout was, of course, just a framework for discussion. Whether I'm the teacher or a student, I always like to have a handout with some blanks to fill in. Reading and writing engage different parts of the brain than just listening, making it more likely that the material will be retained.

I wanted to open week one by discussing the controversial nature of the creationist position in modern society. There's no shortage of arrogant evolutionists who will happily name-call, ostracize, and generally abuse anyone who doesn't believe their religious orthodoxy - and yes, that's what it is - which states that their great-great-great-(insert several thousand "greats")-grandfather was slime on a rock.

In addition to the above, my two-page handout included a cartoon. Pretty much any handout I prepare does. I can generally find something to fit the subject. In this case, I used a Doonesbury, by Garry Trudeau, in which a doctor threatens to withhold treatment from a creationist patient. Of course, the doctor is meant to be an enlightened, intelligent man of science, and the patient a backwards fundamentalist who doesn't deserve to live. Ho, ho. Why, yes, letting people die because they don't share my religion is funny, isn't it, Mr. Trudeau? You can see the cartoon here.

Stockwell Day is a prominent Canadian politician. He's also an admitted Christian. A few years back some of his liberal (and Liberal) opponents decided it would be a good idea to make fun of that, making quips along the lines of "someone needs to explain to him that the Flintstones was not a documentary", and holding up toy dinosaurs as props at press conferences.

Interestingly, many of the opponents who were so threatened by him are professing Roman Catholics, but nobody made fun of their beliefs in a similar manner. I wonder why? It's not like it would be difficult. "Hey, here's a picture of an unbroken hymen! My opponent thinks Mary had one!"

Matt Damon's quote about Palin was included just because it demonstrates how low the secular world will sink to mock creationism, a belief that has negligible effect on day-to-day living and decision-making. Why would anyone care what Matt Freaking Damon thinks about complex political matters? However, since he was bashing the correct side, Damon's quote got media attention. Don't get me wrong, Damon may be a nice guy, and I hear he was OK in the Bourne movies (I haven't seen them), but I'll give heavier weight to the geopolitical opinions of someone who wasn't in a Jay and Silent Bob movie, thanks.

The classic "10 kinds of people" joke was included to illustrate the point that data (evidence, or symbols like "10") have meaning only within a framework. Change the framework, and the meaning of the data also changes. Your worldview is the framework you use. We all have one, and the better you understand yours, the better your thinking will be.

The "relativism" bit was included so I could tell the group a story (remember, these notes were just that, and were only a springboard) from my university days. One day I was sitting in a class, across the table from a relativist who had just proclaimed that all philosophical viewpoints are equally valid. "You're sure about that?" I asked.

"Yes," she replied confidently.

"OK, then, what do you do with my viewpoint, which is that your belief is self-refuting nonsense? If my viewpoint is valid, and you just said that it is, then your viewpoint is not."

I wish I could say that her brain fried like a computer that Captain Kirk told a paradox, but I don't remember her response. It may have involved shoving her stuff into her bookbag and stomping out of class, slamming the door behind her; I can remember a couple of other occasions when that was her answer to one of my questions. No one, including the professor, objected.


Time for my second confession (the first was the opening line of this entry), this one destined to upset the exact opposite group of people from the first: Although I'm unequivocally a creationist, I'm not nearly as convinced about the age of the Earth. Maybe it's only several thousand years old, maybe not. If I were to be convinced tomorrow that the Earth really is millions of years old (although I honestly can't think of anything that would convince me), it wouldn't disturb my belief system overmuch. I lean toward a young-Earth position, but not very strongly. Anyone who wants to argue with me about the age of the Earth, from either side, is bound for disappointment as I shrug and wander off.

Perhaps more about all of this another time, perhaps not. Unlike Claremont, I'm not actively looking to set up more threads to which I may never return.


Enough rambling. Here's a picture of some computers that are in my kitchen, waiting for me to finish working on them.

Saturday, March 28, 2009

Reading Log - Essential Spider-Man Volume 4

I never intended, and still don't intend, to write Reading Log entries for most of the comics that I read. However, I'll be making exceptions here and there for trade paperback collections and graphic novels, especially if I have something to say about them. Essential Amazing Spider-Man Volume 4 is one of those. It's officially, "Essential Spider-Man Volume 4" but I'm making the distinction because there have been Essential volumes for other Spider-titles since this line started, and there may be others in the future.

My copy of Essential Amazing Spider-Man Volume 4 turns out to be the "second edition", according to the indicia (that's the tiny print at the front with publisher info, for those of you who aren't publishing geeks). It collects issues 66 though 89 plus Annual # 5, all from the late sixties.

I normally wouldn't care about it being a "second edition". I'm a reader, not a collector, and couldn't care less about things like first printings and limited editions. Books that enter my house generally won't be leaving until an estate sale that's hopefully far in the future, so I don't care what they're "worth". However, it turns out that my copies of Volumes 1 to 3 of this series, that I kept from back in the days when I ran a comic shop, are first editions (and first printings). Volume 3, first edition, collected Amazing Spider-Man issues 44 to 68 with no annuals. Volume 2, first edition, included annuals 2 and 3.

See the problem? Volume 4, second edition, doesn't pick up where Volume 3, first edition, left off. The new trade dress - translation from industry jargon: "how the outside of the book looks" - doesn't bother me. At least they didn't print the title upside down on the spine (i.e., reading from bottom to top when the book is placed on a shelf) the way they did on Volume 1, first edition.

I also don't mind the overlap. Three issues (66, 67, and 68) appear in both books. However, the change of contents from first to second edition results in my missing Annual 4, which must have appeared in the second edition of Volume 3. If Marvel thinks I'm going to repurchase the new edition of Volume 3 to get that issue, all I can say is "go fish." That's what torrented scans are for. I'll continue to pick up Essential volumes, but I won't be buying any doubles for one or two "new" stories.

This book is also noteworthy for its poor manufacturing. I don't expect leatherbound archival quality for the $17 (U.S.) / $27.25 (Canadian) cover price, which I didn't pay anyway thanks to the miracle of online discounts, but the pages of this thing came unglued from the spine before I finished reading it. The re-gluing I gave it seems to have held, though, so no harm done.

On to the actual content. By the era represented in this volume, Spidey's storytelling engine was pretty well established. I don't think these issues introduce any new characters or concepts that have "mattered" in the long run. Contrast this with the first two Spidey volumes, where it seems like almost every issue introduced a character, gadget, or plot point that still features in Spider-Man comics, cartoons, merchandise, and movies to this day, over forty years later.

However, the work here is definitely solid. Many of these stories are far less remembered now than those groundbreaking early issues, so in their own way they may seem fresher to the reader. Every Spider-Man fan remembers the Lizard's origin, but how many remember the time that the Human Torch showed up to help Spider-Man stop him, and Spidey had to keep trying to stop the Torch from simply frying the Lizard to a shriveled crisp?

That storyline, incidentally, started in Amazing Spider-Man # 76, which holds a special place for me because for many years it was the oldest issue of ASM that I owned. I started reading ASM when I was a very young child, and kept most of the issues I ever got, although they were much-loved and therefore pretty battered by the time adolescence rolled around. I began reading around issue 180. Those first issues I ever got were included in Essential Amazing Spider-Man Volume 8, which I snapped up the first time I saw it. Nothing else sells comics like nostalgia, unfortunately for the comics industry.

For the next fifteen years or so, I grabbed every Amazing Spider-Man back issue I could find (and afford). This was before the Internet, and I didn't often patronize mail-order dealers, so I was limited to what I could find in comic shops and used bookstores (remember when they all carried comics? For that matter, remember when there were used bookstores in pretty much every town?). I eventually had an unbroken run from issues 167 to around 325, with a good handful of earlier issues, but never owned an issue earlier than # 76. My run of Peter Parker, the Spectacular Spider-Man, was complete from issue 1 to issue 152, and I was only a few issues away from a complete set of the 150-issue run of Marvel Team-Up, almost all of which featured Spider-Man.

I wandered off from comics altogether around 1990, and only read a few issues from then to when I opened a comic shop a few years later. But that's another story that may or may not get told here someday.


All for now. Here's a picture of my Ork army. This is the start of a picture series, albeit maybe a very short one. I had intended to write an entry explaining these pictures when I posted the first of them, but decided otherwise, mainly because I'm low on pictures. Maybe that'll be my next post. Probably not.

Saturday, March 21, 2009

Watchmen

First off, yes, I normally like to give my posts "cute" titles. Usually too cute by 40% or so. I can understand why Jerry Seinfeld forbade his writers from giving episodes funny titles. It really does distract from working on the content. Truth be told, I've actually got a couple of titles that I'd like to use, but for which I can't come up with any article ideas, not that lack of ideas always stops me from posting.

If I gave this one a cute title, it would probably have to be "I Watched The Watchmen." Thus I would have appeared to join the thousands of hacks who think that level of triteness is funny. Sure, it would mean that I could write for Entertainment Weekly or pretty much any regional newscast, but I'd be forced to abandon the shred of self-respect I sometimes manage to feign.

On to the point. This week my wife and I went to see Watchmen. Not long ago she had asked if I wanted to go see it, and I answered unequivocally, unhesitatingly, and negatively. It was only after reading several thoughtful reviews and discussions that I decided I would be willing to lay down the eighteen dollars for two tickets.

My belief before the reviews started coming out was that Watchmen was essentially unfilmable. The content is so wed to the comics medium that I thought any adaptation doomed to failure. I only half-jokingly suggested that it would probably work about as well as an attempt to make a movie adaptation of a Beatles album.

From this point forward, there will be spoilers, and not just for Watchmen. I discourage you from reading the rest of this article if you plan to read any books, watch any movies or television shows, attend any plays, or listen to any limericks in the future.

Once we paid our ridiculous admission price (it always occurs to me that I could buy the DVD for what it costs us to go to a movie, and that way we wouldn't have to watch it with chattering teenagers), I wandered the lobby a bit and saw the Watchmen movie poster for the first time. What an awful poster. If I had never heard of Watchmen, there's no way I would go to the movie after seeing that poster. It looks like a really bad X-Men knockoff.

Actually, it looks like the promo / first issue cover shot of every Image Comics team book of the nineties, with a group of grimacing people posing and trying to look tough. The standard checklist of characters was used. Mysterious Guy With Full Face Mask, Guy With Gun, Cowled Batman Knockoff, Creepy Glowing Floaty Guy, and Girl With Way More Skin Exposed Than Most Of The Guys were all present and accounted for. Definitely a vintage Image-style shot, which takes us full circle to "really bad X-Men knockoff."

However, that poster also probably fools innocent passersby into expecting a standard super-hero move, which pleases me very much. I'll come back to that.

We settled into our seats, and after I loudly complained all through a commercial, we got some previews. Apparently there's a new Star Trek movie coming out. I need to get in touch with the marketing people at Paramount, because I have a perfect advertising tagline for it:

Star Trek.
If You Care, You've Probably Never Talked to a Girl.


The next preview was for Mall Cop II. Oh, wait, sorry, it was Seth Rogan's new movie about a mall cop. Observe and Detain or something. I don't remember the title and really couldn't be bothered to look it up. It's ostensibly a comedy, and looks freaking hilarious.

Oh, don't get me wrong, it looks painfully awful. However, I could enjoy it immensely if I watched it with the mindset that it was a grand perverse experiment in uncomedy, in the tradition of Andy Kaufman seeing how long an audience would tolerate him reading The Great Gatsby onstage.

This movie looks like the filmmakers deliberately set up premises that could have led to humourous punchlines, then willfully subverted them by not only not delivering, but by actually veering off in the least funny direction possible. If I watched the movie with that mindset, I'd probably laugh the whole way through it because of the sheer audacity of the experiment and consider everyone involved to be comic geniuses.

On to Watchmen. I'll start with the bottom line. I thought it was very good. If I hadn't read the book, I'd probably think it was great.

I'm not much of a movie reviewer. I'm more of a movie discusser.

The director, Zack Snyder, has been saying on his promo tour that people should watch the movie before reading the book. He's right. Since I'm a longtime comics geek, I'm deeply familiar with the source material and carried a lot of backstory into the theatre. My wife just read the book over the past couple of weeks in preparation for the movie, partly at my suggestion; that may have been a mistake.

Watchmen is definitely not for everyone. It's absolutely not for the kiddies - there's a lot of graphic violence, including an onscreen rape attempt that should make you wince at the very least, visible nipplage, both covered and uncovered (some of the movie takes place in cold locales), and some sex - consensual this time - that's surprisingly vigorous for an R-rated studio release. Oh, yeah, I almost forgot - a big blue computer-generated nuclear penis gets lots of screen time.

A more important warning is called for over the entire movie's tone. It's very, very dark, and unrelentingly bleak. This movie is a study of what it means to be human, and so it takes a long hard look at human nature. The picture isn't pretty. Lord of the Flies is just the tip of the iceberg. Once those kids grow up they can start into the real savagery.

This movie is brutal and unflinching. It amuses me to think of people going in expecting a Spider-Man type feelgood movie and coming out completely shellshocked. Too bad they hadn't waited to release it during summer blockbuster season so that even more innocent passersby could walk by the theatre, think from the poster that they were in for a popcorn movie with plenty of explosions but no ideas, and get completely suckerpunched.

The casting was quite good. There were a few actors in the cast who couldn't quite keep up with the others, and one bit player whose performance I didn't buy at all, but I don't want to dwell too much on the negatives. The big positive was that the actor playing Nite Owl was perfect. That said, a few casting notes are in order.

They didn't go with huge names for the cast. There are a few people in this that you'll recognize, but no budget-busting stunt casting. I generally prefer it that way. I also love to see Matt Frewer, a favourite of mine since his short-lived sitcom, Doctor Doctor, getting work.

I found that a couple of the cast reminded me too much of bigger names. The actor playing Ozymandias constantly reminded me of Seth Green. Not a problem, normally, since I enjoy Seth Green's work. However, Ozymandias represents the pinnacle of human physical and metal perfection. Seth Green strikes me as a very sharp-witted guy, but when I think "perfect human being", he just doesn't come to mind.

Also, the actor playing the Comedian was a dead ringer for Robert Downey Jr., so much that I kept forgetting it wasn't him. This is entirely subjective, of course - I've talked to other viewers who didn't see it at all - but it seemed pretty obvious to me. Again, I like Downey, and he could have capably played the role, so it wasn't a problem.

There were other performance issues that I can't really lay at the feet of the actors - the director, and possibly other people on the production side, have to share the blame. For instance, I found it distracting that Seth Green's - sorry, Ozymandias' - accent came and went at random.

Speaking of things that came and went... boy, there's no delicate way to get into this, so I'll just dive in. When Silk Spectre / Laurie was in costume or civilian clothes, she appeared to, shall we say, amply fill out the top half of her outfit. She wore a low-cut formal outfit for an early dinner scene, and was in danger of spilling out of it at any second. However, when the same character appeared topless later in the movie, well, they weren't so much there anymore. When she got dressed again, they were back. Don't get me wrong, at no point was there anything wrong with the lady's build, but there sure seemed to be some garment-based enhancement going on when she was dressed.

Toward the end of the movie, there's a scene where the character is wearing a snug sweater and appears to have gained twenty pounds, all just a few inches south of her shoulders, since we last saw her in costume. The poor actress then had to deliver a most unfortunate line: "There's something I have to get off my chest." Yeah, I'd guess four inches and two cup sizes worth of padding. That line was the funniest thing by far in the movie (which contains very few laughs, even for cynics).

While we're in that area, Silk Spectre's costume appears to be skintight vinyl, and she doesn't seem to wear anything underneath (at least on the upper half of her body). Chafing must be an issue.

Anyway, let's move on. I apologize for the last three paragraphs, but I'm a guy. I notice these things.

Of course, being a good comics geek, I'm unhappy with some of the changes that were made from the original comics. The first example isn't even an objective change - it's just something done differently than I would have wanted. Jackie Earle Haley does a fine job as Rorschach, but he doesn't deliver some of his lines the way I "hear" them when reading the book. He's too aggressive. In the movie, Rorschach growls and barks many of his lines. Many of his sentences would, if transcribed, end with exclamation points to demonstrate his anger. In the book, at least inside my head, Rorschach delivers virtually all of his speech in a monotone, completely devoid of any affect or emotion.

The best example is when Nite Owl / Dan asked what ever happened to their old partnership. In the movie, Rorschach snaps, "You quit!" An accusation with a definite exclamation point, meant to sting. In the book, the same words are delivered with a period. No emotion, simple statement of fact. Rorschach is not hurt by his old partner's abandonment; he's incapable of feeling anything, for good or bad. This is more devastating in its way, as Dan is again confronted with the fact that he can no longer relate to his former friend. There may not even be anything left inside him to relate to. Another character later mentions, in the book version, that Rorschach's lack of vocal modulation makes her uncomfortable. Having him occasionally raise his voice to make a point misses the point altogether.

That's a change or a different interpretation, though, not necessarily a mistake. At least the filmmakers resisted the temptation to make the line, "Never disposed of sewage with toilet before" into a joke. That line is faithfully delivered with no intonation, so it doesn't come off as a standard Hollywood one-liner. Few filmmakers would have shown that restraint.

Most of the movie used the original comics as a script, with the panels as storyboard. However, there were three changes to the dialogue that really stood out to me, and not in a good way. In all three cases, the original dialogue was better.

First, when Rorshach is telling the psychiatrist about when he made the change from being Walter Kovacs to being only Rorschach, right after killing the kidnapper. In the book he says, "It was Kovacs who closed his eyes. It was Rorschach who opened them again." It's much less poetic in the movie; something along the lines of "Kovacs died that day."

Second, when the thug reaches through the bars of Rorschach's cell and asks, "What have you got?" The response is one of my favourite lines in the book: "Your hands. My perspective." In the movie, it becomes "Your hands. My pleasure." I understand that it saves the average movie viewer from loudly asking what "perspective" means, but it's far weaker dialogue, and borderline nonsensical. He "has his pleasure?" What?

Third, a minor change that harms the flow of a moment. After Veidt explains his plan to Dan and Rorschach and they state the cliche that they'll never let him get away with it, in the book he says, "I did it thirty-five minutes ago." This is one of the great moments in fiction, as the "villain explains his plans, including possible points of failure, to the heroes so they can escape and foil him" trope gets the upset it deserves. Despite what every James Bond movie has taught us, few people would ever be that stupid.

In the movie, a subtle change is made, to "I triggered it thirty-five minutes ago." To my ears, that word change hinders the effectiveness of the sentence. I realize the irony in my preferring a simpler, more succinct wording, but there are times when that's the best way to generate emotional impact. This was one of them. Exact wording matters. It's not unusual for me to spend several minutes deliberating over a word choice before moving on, often while re-reading an article before posting. My wife has often heard, "Which word is funnier in this sentence?" For the sentence under discussion, neither word was funny, but "did" was far better.

Now let's move on to non-dialogue changes. Again, these are not errors, but changes that interested me. The removal of the squid didn't, so unlike far too many nerds I won't be complaining about that.

The ending actually improved on one aspect of the book. In the book, no entirely satisfactory reason is given for Dr. Manhattan deciding to leave Earth. He's bored, and it's shown that he's satisfied that Laurie has moved on from him, but he doesn't really need to leave. The movie gives him a good reason.

The group was never called the "Watchmen" in the book. The reader was left to figure out for themselves the relevance of the question "Who watches the watchmen?" However, as already noted, the average moviegoer is considerably dumber than the average reader. Filmmakers don't have the luxury of assuming that their audience will be capable of thought. So, in order to pacify the masses, things need to be spelled out in movies that the author of a book can leave unsaid. For instance, who the "Watchmen" are.

Second, another removal of subtlety. In the movie, we actually see Roschach looming over Big Picture in the washroom. The book handles the same events more discreetly, and far more effectively.

Snyder also had to change how Rorschach killed the kidnapper. This change was mostly forced upon him. Going with the original method from the book would have lead to charges of ripping off a Mad Max movie, or, far worse, one of the interminable Saw movies. Showing Ozymandias watching a Mad Max movie later on was a nice touch.

The movie indulged one bit of comic book nonsense: the idea that a little domino mask would protect someone's secret identity. Think about it for a second: would you fail to recognize one of your friends if they showed up with a raccoon band around their eyes? The book dismissed this. When Dan and Laurie arrive at the prison, they're able to identify Rorschach by his posture and gait, even though they've never seen him without his mask. That's the way it would actually work. There's more to recognizing other people than their facial features. If you can recognize anyone you know while walking up behind them, before you can see their face, then that person would not be able to fool you by putting on a mask.

Yes, Lois Lane and Commissioner Gordon were idiots.

Believe it or not, this movie actually contains some good theology. Even before seeing it, I had been thinking about an article on "Dr. Manhattan as sermon illustration", based solely on the book. I may still write that up, since I haven't touched on what it would have said in this entry. This one is going to be long enough before it's over.

The foundational fact of Christianity, and one that is largely denied in the modern world, is that we are sinners. Every one of us is prone to commit acts of unspeakable evil when our innermost natures are allowed to run free. The western decline of Christianity is directly due to the rejection of this truth. Until someone realizes and understands that they are a sinner, they will never accept their need for a Saviour.

North American and European society have for some time now rejected this idea in favour of a vague notion that man can create his own utopia. Evil is an aberration, and if everyone would only embrace their inner wonderfulness and chant "Yes we can!", we could solve every problem and create paradise on Earth, and cancer would go away and leave us all alone to sing Kumbayah.

That's a nice idea. It's the foundational belief of what's normally described as "liberalism" these days, and it's certainly what the public educational system seeks to teach our children. The problem is that it has absolutely no basis in reality. Human beings are inherently prone to selfishness, to greed, to violence, to hatred. If you want to fight against those tendencies, which are inherent but not irresistible, you must first acknowledge that they exist. To fail to do so is to lose the battle before it begins.

Watchmen understands this. The Comedian, standing in the middle of a bloody urban battlefield, joyfully proclaims it the realization of the American Dream. Rorschach explains that God can't be blamed for atrocities, because people gleefully perpetrate them quite without His help. The characters largely agree on the fallen nature of man.

They're correct. Human nature is dark, evil, and awful. God offers a way out, and most people reject it then think themselves enlightened for doing so. This is the Gospel. Watchmen is a deeply theological film. I am tempted to call it a deeply Christian film.

Watchmen works on several levels. It is a murder mystery, action movie, sociopolitical commentary, and character study (these are without exception broken people). However, the level that most interests me is its examination of human nature.

The three main characters in the story (as I see it) are Rorschach, Dr. Manhattan, and Ozymandias. Each of them in their own way rejects their membership in mankind, losing sight of or actively abandoning their own humanity. They each move to a different level.

Rorschach sets himself below society, living in the gutters and peering into the darkest corners to hunt down murderers. He interacts with society on the micro level, intimately punishing individual criminals and avenging their insignificant (to larger society) victims. He looks into the world from underneath.

Ozymandias sets himself above the masses, proclaiming himself worthy to sacrifice others for the greater good. He looks down on the world from above. He is the inevitable product of a society that preaches self-esteem to its young. The problem is that the self-esteem taught is usually not tied in any way to merit. Veidt / Ozymandias actually is smart, strong, and capable. His self-image would be fine without any pushing. When someone is capable of actual accomplishment, they don't need constant reassurance. Heaping praise on such an individual results in what we see here - a narcissistic and arrogant god complex.

Dr. Manhattan's separation from humanity is obvious and explicit. He exists on a quantum level, seeing human beings as collections of atoms. At one point he openly states that to him, a living person is no different from a dead one - they're both just arrangements of molecules.

However, before the story ends, all three have made contact with their former selves. Veidt points out that Dr. Manhattan still feels far more human than he even realizes; Veidt manipulated him into washing his hands of Earth. It is significant that Rorschach removes his mask at the end, choosing to die as Walter Kovacs, the man Rorschach had already buried long ago.

Ozymandias himself is a trickier case. I think he was telling the truth when he expressed empathy for his victims ("I've made myself feel every death..."). Others (including my wife) contend that this statement was just more manipulation and he didn't mean a word of it. I think he meant it, but that he has become so detached that his empathy doesn't run very deep. He detached not by choice but because he needed to in order to carry out his plan, which, remember, he sees as necessary to save the world. He honestly sees himself as a hero. A saviour.

The book does a better job of expressing the moral ambiguity of Veidt's actions. He's a more straightforward villain in the movie, not least because his "badness" is telegraphed from early on. I've read online stories of Watchmen newbies spotting him as the villain from his first appearance, standing in front of a nightclub looking arrogant. I believe them. Personally, I probably would have figured it out at his attempted assassination if I hadn't already known. The book shows him as a much nobler, much nicer person, and so it's far more shocking when his plan is revealed.

Anyway, that's probably enough for now. I recommend Watchmen to anyone who hasn't experienced it yet. See the movie first, then read the book, or the movie will suffer by comparison. Be forewarned: both the book and the movie require the audience to think. Hopefully that's a plus, not a minus, to anyone reading this, but I think it explains the movie's sharp second-week dropoff at the box office.


Enough rambling. Here's a picture of a receptacle for soiled linens.

Tuesday, March 10, 2009

Quick Notes

Another assortment of quickies in lieu of a longer, better thought-out entry. I like doing these because they make me feel like Andy Rooney.



I've been quiet lately for two main reasons. First, there's a big project going on at work, and staff were offered two hours of daily voluntary overtime. There weren't many of us who accepted, and even fewer who did more than a handful of days. I've stayed for the extra time almost every day since late January.

You wouldn't think that a mere two hours added to the end of the work day would have such an impact, but it definitely has. I haven't even mustered up the energy to do my tax return yet. Since I'm expecting a sizable refund, that's saying something.



The second main reason for my radio silence: Gamehouse Sudoku. I normally play level 8, and my average time is about four minutes. I thought that the Automarks would make me lazy and actually atrophy any Sudoku skill I once had, but they only remove some of the grunt work. You still have to do your own thinking, which is the fun part anyway.



Rebelangel has been posting lots of interesting stuff lately, trying to make up for the days she missed during her recent computer problems, and get back on track for her Blog 365 target. When there's nothing going on here, check over there. (When there is, check over there afterward anyway.) I'd be posting comments on some of her articles if I didn't have so many important video games to play. Maybe once the overtime wraps up (supposedly soon).



Pastor Derek and Homeschooler's newborn twin boys are still in the hospital. This article has an update and some new pictures. Poor Henry looks so sad in the first and last pictures. He looks like he's far more aware of his discomfort than he should be at this age. Those are spookily wise eyes.



On to less personal stuff.

The attorney representing child-killer Christopher Pauchay (remember him?) says that he was "surprised by the judge's assessment that Pauchay lacks insight into his behaviour."

Over fifty criminal convictions and decision-making skills that led him to carry his daughters outside in a blizzard to freeze in a snowbank, and his attorney is "surprised" by a suggestion that Pauchay might not think too much about his actions.

Maybe an IQ test should have been administered before the bar exam.



The pictures I post here should start looking much better. I use Irfanview for most of my digital image manipulation, and recommend it highly. As I demonstrate on a regular basis, I'm not much of a photographer. My shots tend to come out with a yellowish tint. I've played with the colour balancing tools in Irfanview (Image - Enhance Colours), but all I've ever managed was to replace the yellow tint with a red or blue tint.

The other day, just for the heck of it, I clicked the Auto Adjust Colours option in that menu for the first time.

Wow! Never again will I mess around with manual colour balancing. With a single click, that button makes my shots look clear, colourful and vibrant. I'm tempted to repost some of my old shots with that option applied, especially the pictures of my wife's crafts. She does much better work than you would think from looking at my washed-out pictures.



My local supermarket has Pringles on sale for $1.99 a can. The regular price, plainly visible on the sign announcing the sale, is "2 for $4.00."

I thought this was entertainingly idiotic and/or idiotically entertaining until I thought it over. You may laugh at a savings of a single penny, but think of the big picture: if you bought a million cans, you would save $10,000. When's the last time you had an opportunity to save that kind of money by buying vaguely potato-based snack foods?

I may need to rent a storage space.



There are currently nine books in my "finished reading this - now write a Reading Log entry" pile. I finished some of them as long ago as last summer. I may not remember much about them now. I've also bought five more books in the last couple of weeks, all of which will join that pile soon enough.



My MP3 player, which I listen to much of the day at work, has had Bob Dylan's Infidels album on it for a couple of weeks now. Since I normally rotate its contents every day (usually two albums / concerts daily), that means it's holding my interest pretty effectively. I had never heard it before. A friend at work is a big Dylan fan, and after we discussed the three "born again" albums, he brought it in for me. I may write an entry on it in the future. I already have draft notes.

Today's other selection was "Beatle Mash" by "The Liverpool Kids", a no-budget and no-name exploitation released circa 1964 to cash in on Beatlemania. It's not awful, but it's certainly not memorable. Generic early sixties R&B, with one Beatles cover (She Loves You) and one "original" that's such a knockoff of "I Want To Hold Your Hand" that the producers would surely have been sued for plagiarism if the album had been noticed at the time. It's a closer copy than "My Sweet Lord" is of "He's So Fine" - and that's pretty darn close. This album won't be held over.



In the mid-eighties, the writers of Spider-Man comics did a storyline that tied into the much-maligned Secret Wars II (which rocked my barely-pubescent world, despite being sheer crap in retrospect). The Beyonder turned an entire Manhattan office building, and all its contents, to solid gold.

Hijinks ensued as Spidey had to rescue its occupants and neighbours (a solid gold building apparently cannot support its own weight; I'm sure the writers had engineers check all the math), the Kingpin tried to steal it, and finally the government stepped in to confiscate it and get rid of it (I don't remember how, and I'm not subjecting myself to re-reading a Secret Wars II tie-in).

The writers showed some real economic insight here. It was explained that the sudden ex nihilo introduction of all that gold would destabilize the world metals markets, and ultimately the entire global economy. You can't just suddenly flood the market with a previously scarce commodity without doing far more harm than good. An inflationary spiral, followed quickly by economic chaos and collapse, invariably ensues.

This goes for a government introducing large amounts of previously nonexistent currency into the economy, whether by actually printing bills (remember Germans needing wheelbarrows of cash to buy bread under Hitler's economic stimulus package?), or by giving large amounts of money that only exists as numbers on a screen (most "money" doesn't physically exist anymore, it's all abstract) to... well, anyone.

How sad is it that Spider-Man writers of the mid-eighties were smarter economists than anyone in the Obama administration?


Enough rambling. Here's a picture of my son doing his absolute best to hold still. Check out that sharply-defined colour!

Monday, February 9, 2009

If It's Monday, We Must Be In The Gutters

I'm on my last day of a short vacation. We had intended to spend this weekend getting in one last visit with Pastor Derek and his wife, known around these parts as Homeschooler, before their newest children (yes, plural) were born and their lives became an unrelenting cycle of "feed-change-try to sleep for ten minutes then do it all again".

However, the kids decided to throw those plans into disarray by coming out earlier than expected. See this post over on Pastor Derek's blog for the details. Congratulations are certainly in order, but our visit got derailed for the time being.

That left me with a couple of days booked off work and nowhere to go. I spent the time sleeping, reading, preparing material for the Bible study I've been leading, and playing computer games. I had already intended to go a few days without posting, and so I did.

Now I'm back, at least for today, and thought I'd revisit (and finish) an old series. A looong time ago, I wrote about my number one and two reasons for liking Mondays on the Internet; today I present number three.

I've been out of the comics business for a long time (longer than I was in it). However, I still read a few comics news sites on a regular basis. My favourite comics column is Lying In The Gutters (LitG), an industry "gossip" column written by Rich Johnston. It's hosted on Comic Book Resources, whose main page is usually worth at least a a daily skim.

LitG is usually posted each Monday. It's not unusual for it show up late in the day, so I often wind up reading it on Tuesday, but its official regular schedule gets it into my "reasons Mondays aren't so bad" category without being too much of a cheat.

Some of the stories are a bit Anglocentric (Johnston lives in the U.K.), and you can usually count on a gratuitous-but-charming plug for at least one of Mr. Johnston's own published works somewhere along the line. However, the column is well worth reading if you have any interest in the behind-the-scenes workings of the comics industry.

The "gossip" isn't lurid tabloid nonsense about personal lives, but information about projects both proposed and cancelled and all sorts of insider information about the comics industry (the kind of stuff that doesn't get reported in Wizard magazine). The LitG forums are interesting, too, but I find that far more questions get asked than answers proposed over there. It's worth a look, but I don't bother checking in with the forum more than once a month or so.


Enough rambling. Here's a picture of my son harassing Spider-Man in the Orlando airport.

Saturday, December 20, 2008

How I Spent My Saturday Vacation

Sorry for the dearth of updates around these parts of late. I'm probably going to wind up with fewer posts this month than last month, and I was out of the country and offline for half of last month.

The doctor's being kind of hedgey now on whether I have (or had) pneumonia. All I know is that the cough is still hanging on after over a month. The antibiotics seemed to help, for the week that the prescription lasted. I also have some Coactifed that I'm supposed to take "when or as needed" to settle the cough down, but I've taken very few of them. They've got a narcotic component, and I'm not a big fan of anything that impairs my faculties. I outright refuse to take one if I'll be driving in the next twelve hours or so, and try to avoid taking them before or during work. Those two conditions cover pretty much all the time.

The most noticeable lasting effect of my cold (or whatever it is / was) besides the coughing is lethargy. I have several fairly substantial posts in various stages of draft, and ideas for a bunch more, but can't quite muster up the gumption to finish any of them. So, since this blog is a self-indulgent personal journal as much as anything else, here's how I spent the last 36 hours or so.

Not long after I got home from work yesterday, Dad came by to pick up my son. The grandparents offered to take him for the night so my wife and I could finish up our Christmas shopping. We were almost done anyway, but that let us finish it off.

After that, I laid down on the couch around 8:30. I woke up to see Jay Leno doing his monologue, which means it was 12:30 (I'm in the Atlantic time zone, as my membership in the New Brunswick Blogroll implies). My first priority was getting the TV switched over to Letterman ASAP. I once went about seven years (ages 14 to 21-ish) without missing a night of Letterman's show. Not an episode - a night. Including repeats. I got over that a long time ago.

After watching Jerry Seinfeld come out and do his bit, I went to bed. I had occasional coughing fits through the night, but eventually crashed out solidly and didn't get up until after noon.

This seems to have have helped my cold more than any of the medications. I feel better today than I have in several weeks. Over a dozen hours of sleep is a great healer.

Since my son was still with his grandparents and our errands were done, my wife and I spent the day defining the word "puttering". She crocheted and watched whatever happened to be on TV. I cleaned the basement up a little (although it still looks like it's been ransacked by a horde of barbarians), scanned a bunch of papers, and tagged a lot of audio files.

I listened to the last section of Ann Coulter's newest book, If Democrats Had Any Brains They'd Be Republicans. I love Coulter's books, but the audiobook seemed more like a disjointed series of one-liners than a cohesive work. Only at the end did I notice a credit for "abridgement"; if I'd realized it was abridged, I wouldn't have bothered listening in the first place.

I'm not a big fan of audiobooks in the first place. I like the idea, they just don't work for me. I get engrossed enough in books, including audiobooks, that I don't like doing anything mentally taxing at the same time. If I could devote the attention required to listen closely, then chances are I could be doing something more productive with that time, so I usually do that instead. That includes reading an actual book. I read much faster than an audiobook's narration, so I can plow through a print edition much faster than an audiobook.

I'll embrace audiobooks wholeheartedly if I ever have long stretches of time where I'm doing something relatively mindless - a long solitary commute, perhaps. For now I walk to work every day, only about ten minutes each way, and I'm never in a car by myself long enough to bother starting into an audiobook. They just don't fit into my lifestyle, such as it is, for the time being.

I also read some comics. I'm reading my way through a nearly complete collection of Knights of the Dinner Table comics. They're great stuff if you're at all into gaming. I've never been much of a role-player, but I play pretty much any other type of game whenever I get the chance, and I've spent lots of time hanging around role-players, so I think this book is terrific. If you aren't a gamer, let me assure you that the characters, situations and dialogue are eerily accurate. The guys who make the strip are gamers themselves, and have captured the culture very well.


I assembled and burned a mixed CD today. Dad called me a couple of days ago and asked me to put "John Lennon's 'So This is Christmas' " on a CD for Mom. Being a huge Beatles nerd I corrected him on the title, Happy Xmas (War Is Over), and asked if that was the only song she wanted.

"She wants some background music for Christmas dinner," he answered, "and that's the only song she mentioned. You could repeat it a couple of times if there's room on the CD."

Instead I assembled a full CD of Christmas music, putting the Lennon track first. When I started out I thought I'd have trouble filling an 80-minute disc. As it turned out, I had to edit ruthlessly to get most of the tracks I wanted. I started searching my collection and found entire Christmas albums by Ringo Starr, Phil Spector and associates (very few of whom he's since shot), City On A Hill, Steve Lukather, VeggieTales (two, actually), the Muppets (also two), the Chipmunks, Amy Grant, Barenaked Ladies, and several more. I also had a few various artists Christmas compilations, lots of classics like Bing Crosby's White Christmas, Chuck Berry's Merry Christmas Baby, and a whole lot more. The compilation turned out much better than I had expected, although I already handed it off and didn't save a copy of the final track listing. It ended with a choral recording of the Hallelujah Chorus.

I've identified prima facie evidence that most Christmas music isn't very good: nobody listens to it anytime except at Christmas. If we actually enjoyed it on its own merits, we'd be as likely to listen to it as anything else in our music collections, at any time. My wife argued against this theory by saying that since a lot of "Christmas" music is actually more about winter and snow in general, it just doesn't cross our minds during the rest of the year. To that I respond, people still listen to the Beach Boys in January.


I got a lot of scanning done today. I'm a pack rat, especially when it comes to documents. I still have all the financial records from the business I owned (and closed almost a decade ago), all of my tax returns and bank records ever, etc. A couple of years ago I embarked on a long-term project intended to cut down on my document retention: scanning and shredding. Every once in a while I grab a pile of papers, feed them through a scanner (these days that means my Kodak Easyshare 5100), then after the scans are verified and saved (with backups, of course), shred the originals. Today I scanned such irreplaceable documents as the records from my year as a life insurance agent (1998), my car registration from 2005, and my minutes from a Sunday School teachers meeting in 2005.

Yeah, it would be a real shame to lose any of that stuff. You never know when I might need it.


Oh, and I also prepared the one Christmas card it occurred to me to prepare. The future recipient is probably reading this. It hasn't been mailed yet because, since I never mail anything, I don't keep stamps on hand.


While engaging in all these other minor activities, after the Ann Coulter audiobook was done I listened to some more audio files for tagging purposes. One of my pet peeves about filesharing is that very few people tag their files well, so I almost always wind up redoing it. I'm really glad I eventually found MP3tag. I spent a whole lot of hours over several years manually tagging and naming each individual audio file in my collection before I stumbled across. Now I consider MP3tag indispensable; it's one of the first things I install whenever I reformat or set up a new PC. Anybody with a collection of more than a few audio files (it handles pretty much any format, not just MP3s) should check it out.

Today I listened to and tagged some Beatles bootleg stuff (documentary tracks from a "1978 Earth Day News" series, whatever that was) and a bunch of tracks from the Hanna-Barbera Cartoon Classics and Wacky Sounds box set. I'm into the third disc of the latter, which consists mostly of sound effects that will hurtle most listeners back into childhood. I'd love to see some sort of documentary showing exactly how they made some of those noises in the studio.


Enough rambling. Here's a picture of my son gazing into the aquarium. Beware doing so. Sometimes when you gaze into the aquarium, the aquarium gazes back into you.